Tribes maintained their own religions -- worshipping gods, animals,
plants, or sacred persons. Systems of government ranged from democracies
to councils of elders to theocracies. These tribal variations enter into
the oral literature as well.
Still, it is possible to make a few generalizations. Indian stories,
for example, glow with reverence for nature as a spiritual as well as
physical mother. Nature is alive and endowed with spiritual forces; main
characters may be animals or plants, often totems associated with a tribe,
group, or individual. The closest to the Indian sense of holiness in later
American literature is Ralph Waldo Emerson's transcendental
"Over-Soul," which pervades all of life.
The Mexican tribes revered the divine Quetzalcoatl, a god of the
Toltecs and Aztecs, and some tales of a high god or culture were told
elsewhere. However, there are no long, standardized religious cycles about
one supreme divinity. The closest equivalents to Old World spiritual
narratives are often accounts of shamans initiations and voyages. Apart
from these, there are stories about culture heroes such as the Ojibwa
tribe's Manabozho or the Navajo tribe's Coyote. These tricksters are
treated with varying degrees of respect. In one tale they may act like
heroes, while in another they may seem selfish or foolish. Although past
authorities, such as the Swiss psychologist Carl Jung, have deprecated
trickster tales as expressing the inferior, amoral side of the psyche,
contemporary scholars -- some of them Native Americans -- point out that
Odysseus and Prometheus, the revered Greek heroes, are essentially
tricksters as well.
Examples of almost every oral genre can be found in American Indian
literature: lyrics, chants, myths, fairy tales, humorous anecdotes,
incantations, riddles, proverbs, epics, and legendary histories. Accounts
of migrations and ancestors abound, as do vision or healing songs and
tricksters' tales. Certain creation stories are particularly popular. In
one well-known creation story, told with variations among many tribes, a
turtle holds up the world. In a Cheyenne version, the creator, Maheo, has
four chances to fashion the world from a watery universe. He sends four
water birds diving to try to bring up earth from the bottom. The snow
goose, loon, and mallard soar high into the sky and sweep down in a dive,
but cannot reach bottom; but the little coot, who cannot fly, succeeds in
bringing up some mud in his bill. Only one creature, humble Grandmother
Turtle, is the right shape to support the mud world Maheo shapes on her
shell -- hence the Indian name for America, "Turtle Island."
The songs or poetry, like the narratives, range from the sacred to the
light and humorous: There are lullabies, war chants, love songs, and
special songs for children's games, gambling, various chores, magic, or
dance ceremonials. Generally the songs are repetitive. Short poem-songs
given in dreams sometimes have the clear imagery and subtle mood
associated with Japanese haiku or Eastern-influenced imagistic poetry. A
Chippewa song runs:
Vision songs, often very short, are another distinctive form. Appearing
in dreams or visions, sometimes with no warning, they may be healing,
hunting, or love songs. Often they are personal, as in this Modoc song:
Indian oral tradition and its relation to American literature as a
whole is one of the richest and least explored topics in American studies.
The Indian contribution to America is greater than is often believed. The
hundreds of Indian words in everyday American English include
"canoe," "tobacco," "potato,"
"moccasin," "moose," "persimmon,"
"raccoon," "tomahawk," and "totem."
Contemporary Native American writing, discussed in chapter 8, also
contains works of great beauty.
THE LITERATURE OF EXPLORATION
Had history taken a different turn, the
United States easily could have been a part of the great Spanish or French
overseas empires. Its present inhabitants might speak Spanish and form one
nation with Mexico, or speak French and be joined with Canadian
Francophone Quebec and Montreal.
Yet the earliest explorers of America were not English, Spanish, or
French. The first European record of exploration in America is in a
Scandinavian language. The Old Norse Vinland Saga recounts how the
adventurous Leif Eriksson and a band of wandering Norsemen settled briefly
somewhere on the northeast coast of America -- probably Nova Scotia, in
Canada -- in the first decade of the 11th century, almost 400 years before
the next recorded European discovery of the New World.
The first known and sustained contact between the Americas and the rest
of the world, however, began with the famous voyage of an Italian
explorer, Christopher Columbus, funded by the Spanish rulers Ferdinand and
Isabella. Columbus's journal in his "Epistola," printed in 1493,
recounts the trip's drama -- the terror of the men, who feared monsters
and thought they might fall off the edge of the world; the near-mutiny;
how Columbus faked the ships' logs so the men would not know how much
farther they had travelled than anyone had gone before; and the first
sighting of land as they neared America.
Bartolomé de las Casas is the richest source of information about the
early contact between American Indians and Europeans. As a young priest he
helped conquer Cuba. He transcribed Columbus's journal, and late in life
wrote a long, vivid History of the Indians criticizing their
enslavement by the Spanish.
Initial English attempts at colonization were disasters. The first
colony was set up in 1585 at Roanoke, off the coast of North Carolina; all
its colonists disappeared, and to this day legends are told about
blue-eyed Croatan Indians of the area. The second colony was more
permanent: Jamestown, established in 1607. It endured starvation,
brutality, and misrule. However, the literature of the period paints
America in glowing colors as the land of riches and opportunity. Accounts
of the colonizations became world-renowned. The exploration of Roanoke was
carefully recorded by Thomas Hariot in A Briefe and True Report of the
New-Found Land of Virginia (1588). Hariot's book was quickly
translated into Latin, French, and German; the text and pictures were made
into engravings and widely republished for over 200 years.
The Jamestown colony's main record, the writings of Captain John Smith,
one of its leaders, is the exact opposite of Hariot's accurate, scientific
account. Smith was an incurable romantic, and he seems to have embroidered
his adventures. To him we owe the famous story of the Indian maiden,
Pocahontas. Whether fact or fiction, the tale is ingrained in the American
historical imagination. The story recounts how Pocahontas, favorite
daughter of Chief Powhatan, saved Captain Smith's life when he was a
prisoner of the chief. Later, when the English persuaded Powhatan to give
Pocahontas to them as a hostage, her gentleness, intelligence, and beauty
impressed the English, and, in 1614, she married John Rolfe, an English
gentleman. The marriage initiated an eight-year peace between the
colonists and the Indians, ensuring the survival of the struggling new
colony.
In the 17th century, pirates, adventurers, and explorers opened the way
to a second wave of permanent colonists, bringing their wives, children,
farm implements, and craftsmen's tools. The early literature of
exploration, made up of diaries, letters, travel journals, ships' logs,
and reports to the explorers' financial backers -- European rulers or, in
mercantile England and Holland, joint stock companies -- gradually was
supplanted by records of the settled colonies. Because England eventually
took possession of the North American colonies, the best-known and
most-anthologized colonial literature is English. As American minority
literature continues to flower in the 20th century and American life
becomes increasingly multicultural, scholars are rediscovering the
importance of the continent's mixed ethnic heritage. Although the story of
literature now turns to the English accounts, it is important to recognize
its richly cosmopolitan beginnings.
THE COLONIAL PERIOD IN NEW ENGLAND
It is likely that no other colonists in
the history of the world were as intellectual as the Puritans. Between
1630 and 1690, there were as many university graduates in the northeastern
section of the United States, known as New England, as in the mother
country -- an astounding fact when one considers that most educated people
of the time were aristocrats who were unwilling to risk their lives in
wilderness conditions. The self-made and often self-educated Puritans were
notable exceptions. They wanted education to understand and execute God's
will as they established their colonies throughout New England.
The Puritan definition of good writing was that which brought home a
full awareness of the importance of worshipping God and of the spiritual
dangers that the soul faced on Earth. Puritan style varied enormously --
from complex metaphysical poetry to homely journals and crushingly
pedantic religious history. Whatever the style or genre, certain themes
remained constant. Life was seen as a test; failure led to eternal
damnation and hellfire, and success to heavenly bliss. This world was an
arena of constant battle between the forces of God and the forces of
Satan, a formidable enemy with many disguises. Many Puritans excitedly
awaited the "millennium," when Jesus would return to Earth, end
human misery, and inaugurate 1,000 years of peace and prosperity.
Scholars have long pointed out the link between Puritanism and
capitalism: Both rest on ambition, hard work, and an intense striving for
success. Although individual Puritans could not know, in strict
theological terms, whether they were "saved" and among the elect
who would go to heaven, Puritans tended to feel that earthly success was a
sign of election. Wealth and status were sought not only for themselves,
but as welcome reassurances of spiritual health and promises of eternal
life.
Moreover, the concept of stewardship encouraged success. The Puritans
interpreted all things and events as symbols with deeper spiritual
meanings, and felt that in advancing their own profit and their
community's well-being, they were also furthering God's plans. They did
not draw lines of distinction between the secular and religious spheres:
All of life was an expression of the divine will -- a belief that later
resurfaces in Transcendentalism.
In recording ordinary events to reveal their spiritual meaning, Puritan
authors commonly cited the Bible, chapter and verse. History was a
symbolic religious panorama leading to the Puritan triumph over the New
World and to God's kingdom on Earth.
The first Puritan colonists who settled New England exemplified the
seriousness of Reformation Christianity. Known as the
"Pilgrims," they were a small group of believers who had
migrated from England to Holland -- even then known for its religious
tolerance -- in 1608, during a time of persecutions.
Like most Puritans, they interpreted the Bible literally. They read and
acted on the text of the Second Book of Corinthians -- "Come out from
among them and be ye separate, saith the Lord." Despairing of
purifying the Church of England from within, "Separatists"
formed underground "covenanted" churches that swore loyalty to
the group instead of the king. Seen as traitors to the king as well as
heretics damned to hell, they were often persecuted. Their separation took
them ultimately to the New World.
Edward Taylor (c. 1644-1729)
Like Anne Bradstreet, and, in fact, all of New England's first writers,
the intense, brilliant poet and minister Edward Taylor was born in
England. The son of a yeoman farmer -- an independent farmer who owned his
own land -- Taylor was a teacher who sailed to New England in 1668 rather
than take an oath of loyalty to the Church of England. He studied at
Harvard College, and, like most Harvard-trained ministers, he knew Greek,
Latin, and Hebrew. A selfless and pious man, Taylor acted as a missionary
to the settlers when he accepted his lifelong job as a minister in the
frontier town of Westfield, Massachusetts, 160 kilometers into the thickly
forested, wild interior. Taylor was the best-educated man in the area, and
he put his knowledge to use, working as the town minister, doctor, and
civic leader.
Modest, pious, and hard-working, Taylor never published his poetry,
which was discovered only in the 1930s. He would, no doubt, have seen his
work's discovery as divine providence; today's readers should be grateful
to have his poems -- the finest examples of 17th-century poetry in North
America.
Taylor wrote a variety of verse: funeral elegies, lyrics, a medieval
"debate," and a 500-page Metrical History of Christianity
(mainly a history of martyrs). His best works, according to modern
critics, are the series of short Preparatory Meditations.
Michael Wigglesworth (1631-1705)
Michael Wigglesworth, like Taylor an English-born, Harvard-educated
Puritan minister who practiced medicine, is the third New England colonial
poet of note. He continues the Puritan themes in his best-known work, The
Day of Doom (1662). A long narrative that often falls into doggerel,
this terrifying popularization of Calvinistic doctrine was the most
popular poem of the colonial period. This first American best-seller is an
appalling portrait of damnation to hell in ballad meter.
It is terrible poetry -- but everybody loved it. It fused the
fascination of a horror story with the authority of John Calvin. For more
than two centuries, people memorized this long, dreadful monument to
religious terror; children proudly recited it, and elders quoted it in
everyday speech. It is not such a leap from the terrible punishments of
this poem to the ghastly self-inflicted wound of Nathaniel Hawthorne's
guilty Puritan minister, Arthur Dimmesdale, in The Scarlet Letter
(1850) or Herman Melville's crippled Captain Ahab, a New England Faust
whose quest for forbidden knowledge sinks the ship of American humanity in
Moby-Dick (1851). (Moby-Dick was the favorite novel of
20th-century American novelist William Faulkner, whose profound and
disturbing works suggest that the dark, metaphysical vision of Protestant
America has not yet been exhausted.)
Like most colonial literature, the poems of early New England imitate
the form and technique of the mother country, though the religious passion
and frequent biblical references, as well as the new setting, give New
England writing a special identity. Isolated New World writers also lived
before the advent of rapid transportation and electronic communications.
As a result, colonial writers were imitating writing that was already out
of date in England. Thus, Edward Taylor, the best American poet of his
day, wrote metaphysical poetry after it had become unfashionable in
England. At times, as in Taylor's poetry, rich works of striking
originality grew out of colonial isolation.
Colonial writers often seemed ignorant of such great English authors as
Ben Jonson. Some colonial writers rejected English poets who belonged to a
different sect as well, thereby cutting themselves off from the finest
lyric and dramatic models the English language had produced. In addition,
many colonials remained ignorant due to the lack of books.
The great model of writing, belief, and conduct was the Bible, in an
authorized English translation that was already outdated when it came out.
The age of the Bible, so much older than the Roman church, made it
authoritative to Puritan eyes.
New England Puritans clung to the tales of the Jews in the Old
Testament, believing that they, like the Jews, were persecuted for their
faith, that they knew the one true God, and that they were the chosen
elect who would establish the New Jerusalem -- a heaven on Earth. The
Puritans were aware of the parallels between the ancient Jews of the Old
Testament and themselves. Moses led the Israelites out of captivity from
Egypt, parted the Red Sea through God's miraculous assistance so that his
people could escape, and received the divine law in the form of the Ten
Commandments. Like Moses, Puritan leaders felt they were rescuing their
people from spiritual corruption in England, passing miraculously over a
wild sea with God's aid, and fashioning new laws and new forms of
government after God's wishes.
Colonial worlds tend to be archaic, and New England certainly was no
exception. New England Puritans were archaic by choice, conviction, and
circumstance.
Samuel Sewall (1652-1730)
Easier to read than the highly religious poetry full of Biblical
references are the historical and secular accounts that recount real
events using lively details. Governor John Winthrop's Journal
(1790) provides the best information on the early Massachusetts Bay Colony
and Puritan political theory.
Samuel Sewall's Diary, which records the years 1674 to 1729, is
lively and engaging. Sewall fits the pattern of early New England writers
we have seen in Bradford and Taylor. Born in England, Sewall was brought
to the colonies at an early age. He made his home in the Boston area,
where he graduated from Harvard, and made a career of legal,
administrative, and religious work.
Sewall was born late enough to see the change from the early, strict
religious life of the Puritans to the later, more worldly Yankee period of
mercantile wealth in the New England colonies; his Diary, which is
often compared to Samuel Pepys's English diary of the same period,
inadvertently records the transition.
Like Pepys's diary, Sewall's is a minute record of his daily life,
reflecting his interest in living piously and well. He notes little
purchases of sweets for a woman he was courting, and their disagreements
over whether he should affect aristocratic and expensive ways such as
wearing a wig and using a coach.
Roger Williams (c. 1603-1683)
As the 1600s wore on into the 1700s, religious dogmatism gradually
dwindled, despite sporadic, harsh Puritan efforts to stem the tide of
tolerance. The minister Roger Williams suffered for his own views on
religion. An English-born son of a tailor, he was banished from
Massachusetts in the middle of New England's ferocious winter in 1635.
Secretly warned by Governor John Winthrop of Massachusetts, he survived
only by living with Indians; in 1636, he established a new colony at Rhode
Island that would welcome persons of different religions.
A graduate of Cambridge University (England), he retained sympathy for
working people and diverse views. His ideas were ahead of his time. He was
an early critic of imperialism, insisting that European kings had no right
to grant land charters because American land belonged to the Indians.
Williams also believed in the separation between church and state -- still
a fundamental principle in America today. He held that the law courts
should not have the power to punish people for religious reasons -- a
stand that undermined the strict New England theocracies. A believer in
equality and democracy, he was a lifelong friend of the Indians.
Williams's numerous books include one of the first phrase books of Indian
languages, A Key Into the Languages of America (1643). The book
also is an embryonic ethnography, giving bold descriptions of Indian life
based on the time he had lived among the tribes. Each chapter is devoted
to one topic -- for example, eating and mealtime. Indian words and phrases
pertaining to this topic are mixed with comments, anecdotes, and a
concluding poem. The end of the first chapter reads:
If nature's sons, both wild and tame,
Humane and courteous be,
How ill becomes it sons of God
To want humanity.
In the chapter on words about entertainment, he comments that "it
is a strange truth that a man shall generally find more free entertainment
and refreshing among these barbarians, than amongst thousands that call
themselves Christians."
Williams's life is uniquely inspiring. On a visit to England during the
bloody Civil War there, he drew upon his survival in frigid New England to
organize firewood deliveries to the poor of London during the winter,
after their supply of coal had been cut off. He wrote lively defenses of
religious toleration not only for different Christian sects, but also for
non-Christians. "It is the will and command of God, that...a
permission of the most Paganish, Jewish, Turkish, or Antichristian
consciences and worships, be granted to all men, in all nations...,"
he wrote in The Bloody Tenet of Persecution for Cause of Conscience
(1644). The intercultural experience of living among gracious and humane
Indians undoubtedly accounts for much of his wisdom.
Influence was two-way in the colonies. For example, John Eliot
translated the Bible into Narragansett. Some Indians converted to
Christianity. Even today, the Native American church is a mixture of
Christianity and Indian traditional belief.
The spirit of toleration and religious freedom that gradually grew in
the American colonies was first established in Rhode Island and
Pennsylvania, home of the Quakers. The humane and tolerant Quakers, or
"Friends," as they were known, believed in the sacredness of the
individual conscience as the fountainhead of social order and morality.
The fundamental Quaker belief in universal love and brotherhood made them
deeply democratic and opposed to dogmatic religious authority. Driven out
of strict Massachusetts, which feared their influence, they established a
very successful colony, Pennsylvania, under William Penn in 1681.
Jonathan Edwards (1703-1758)
The antithesis of John Woolman is Jonathan Edwards, who was born only 17
years before the Quaker notable. Woolman had little formal schooling;
Edwards was highly educated. Woolman followed his inner light; Edwards was
devoted to the law and authority. Both men were fine writers, but they
reveal opposite poles of the colonial religious experience.
Edwards was molded by his extreme sense of duty and by the rigid
Puritan environment, which conspired to make him defend strict and gloomy
Calvinism from the forces of liberalism springing up around him. He is
best known for his frightening, powerful sermon, "Sinners in the
Hands of an Angry God" (1741):
[I]f God should let you go, you would immediately sink, and sinfully
descend, and plunge into the bottomless gulf....The God that holds you
over the pit of hell, much as one holds a spider or some loathsome
insect over the fire, abhors you, and is dreadfully provoked....he looks
upon you as worthy of nothing else but to be cast into the bottomless
gulf.
Edwards's sermons had enormous impact, sending whole congregations into
hysterical fits of weeping. In the long run, though, their grotesque
harshness alienated people from the Calvinism that Edwards valiantly
defended. Edwards's dogmatic, medieval sermons no longer fit the
experiences of relatively peaceful, prosperous 18th-century colonists.
After Edwards, fresh, liberal currents of tolerance gathered force.
William Byrd (1674-1744)
Southern culture naturally revolved around the ideal of the gentleman. A
Renaissance man equally good at managing a farm and reading classical
Greek, he had the power of a feudal lord.
William Byrd describes the gracious way of life at his plantation,
Westover, in his famous letter of 1726 to his English friend Charles
Boyle, Earl of Orrery:
Besides the advantages of pure air, we abound in all kinds of provisions
without expense (I mean we who have plantations). I have a large family
of my own, and my doors are open to everybody, yet I have no bills to
pay, and half-a-crown will rest undisturbed in my pockets for many moons
altogether.
Like one of the patriarchs, I have my flock and herds, my bondmen and
bondwomen, and every sort of trade amongst my own servants, so that I
live in a kind of independence on everyone but Providence...
William Byrd epitomizes the spirit of the southern colonial gentry. The
heir to 1,040 hectares, which he enlarged to 7,160 hectares, he was a
merchant, trader, and planter. His library of 3,600 books was the largest
in the South. He was born with a lively intelligence that his father
augmented by sending him to excellent schools in England and Holland. He
visited the French Court, became a Fellow of the Royal Society, and was
friendly with some of the leading English writers of his day, particularly
William Wycherley and William Congreve. His London diaries are the
opposite of those of the New England Puritans, full of fancy dinners,
glittering parties, and womanizing, with little introspective
soul-searching.
Byrd is best known today for his lively History of the Dividing Line,
a diary of a 1729 trip of some weeks and 960 kilometers into the interior
to survey the line dividing the neighboring colonies of Virginia and North
Carolina. The quick impressions that vast wilderness, Indians, half-savage
whites, wild beasts, and every sort of difficulty made on this civilized
gentleman form a uniquely American and very southern book. He ridicules
the first Virginia colonists, "about a hundred men, most of them
reprobates of good families," and jokes that at Jamestown, "like
true Englishmen, they built a church that cost no more than fifty pounds,
and a tavern that cost five hundred." Byrd's writings are fine
examples of the keen interest Southerners took in the material world: the
land, Indians, plants, animals, and settlers.
Robert Beverley (c. 1673-1722)
Robert Beverley, another wealthy planter and author of The History and
Present State of Virginia (1705, 1722) records the history of the
Virginia colony in a humane and vigorous style. Like Byrd, he admired the
Indians and remarked on the strange European superstitions about Virginia
-- for example, the belief "that the country turns all people black
who go there." He noted the great hospitality of southerners, a trait
maintained today.
Humorous satire -- a literary work in which human vice or folly is
attacked through irony, derision, or wit -- appears frequently in the
colonial South. A group of irritated settlers lampooned Georgia's
philanthropic founder, General James Oglethorpe, in a tract entitled A
True and Historical Narrative of the Colony of Georgia (1741). They
pretended to praise him for keeping them so poor and overworked that they
had to develop "the valuable virtue of humility" and shun
"the anxieties of any further ambition."
The rowdy, satirical poem "The Sotweed Factor" satirizes the
colony of Maryland, where the author, an Englishman named Ebenezer Cook,
had unsuccessfully tried his hand as a tobacco merchant. Cook exposed the
crude ways of the colony with high-spirited humor, and accused the
colonists of cheating him. The poem concludes with an exaggerated curse:
"May wrath divine then lay those regions waste / Where no man's
faithful nor a woman chaste."
In general, the colonial South may fairly be linked with a light,
worldly, informative, and realistic literary tradition. Imitative of
English literary fashions, the southerners attained imaginative heights in
witty, precise observations of distinctive New World conditions.